Annabella DeNapoli
Stage Manager
PIG IRON THEATRE COMPANY
Deck Stage Manager | Franklin's Key (2026)




Co-Directors: Dan Rothenberg
Eva Steinmetz
Co-Writers: Dan Rothenberg
Quill Camp
Composer: Rosie Langabeer
Movement Director: Chelsea Murphy
Intimacy Director: Eli Lynn
Stage Manager: Kelsey Vivian
Asst. Stage Manager/A2: Ari Allen
Costume Designer: Maiko Matsushima
Co-Lighting Designers: Amith Chandrashaker
Stoli Stolnak
Magic and Effects: Skylar Fox
Michael Kras
Props Head: Payton Smith
Set Designer: Anna Kiraly
Co-Sound Designers: Chris Sannino
Nick Kourtides
Video Designer: Josh Higgason
Franklin's Key production photos
Photos by: Ashley Smith
RESPONSIBILITIES​
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This was a remount of the show, which originally premiered in 2025, so I utilized the one week rehearsal period to review and update archived information from the 2025 production and start learning the backstage tracks
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Navigated having an abundance of props in a limited backstage space; each performance was a nonstop marathon for the crew of running dead props down to the trap room and bringing new props back up in their place
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Throughout the course of the run, I was constantly updating production paperwork with detailed information about scenic transitions performed by both cast and crew, and precises locations where props needed to end up before, during, and after the show (both for our own tracking purposes and for archiving the next time the show is produced)
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Operate and maintain pyro and magic effects (ex. funken ring, finger flashers, "invisible" thread, miniature foggers, etc.)
WALNUT STREET THEATRE (Kid's Series)
Stage Manager | A Christmas Carol (2025) and Newsies Jr. (2026)




Newsies Jr.
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​Director: Amanda Pasquini
Asst. Director: Grace McKenna
Music Director: Ben Reim
Choreographer: Taylor J. Mitchell
Asst. Choreographer: Katy Morgan
Asst. Stage Managers: Asher Vaglica
Paige Shields
Costume Designers: Ahna Romanski
Sofie Sloat
Lighting Designer: Kaity Cherkassky
Projections Designer: Tristan Horan
Set Designer: Jason Simms
Sound Designer: Adam Orsek




A Christmas Carol
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Written/Adapted by: Bill Van Horn
​Director: Adam Hoyak
Music Director/Composer: Jake Collins
Choreography: Hallie Berger
Asst. Stage Manager: Asher Vaglica
Costume Designers: Ahna Romanski
Sofie Sloat
Lighting Designer: Matt Demascolo
Set Designer: Jason Simms
Sound Designer: Adam Orsek
Newsies Jr. and A Christmas Carol production photos
Photos by: Max Grugan
RESPONSIBILITIES​
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​Run rehearsals over a two week period, while taking blocking notes and coordinating production needs with designers
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During the show run: call the show from the booth, and take note of any pacing issues or changes in performance quality
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Communicate with child coordinators and parents/or regarding the children in our cast
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Navigate putting the show on the Mainstage production's set, a challenge especially for Newsies Jr. with putting a dance-heavy show on 1776's platformed set
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Organize put-in rehearsals and last minute cast changes for shows, a challenge especially for A Christmas Carol since we had a cast that had no understudies or swings
ARDEN THEATRE COMPANY
Assistant Stage Manager | Falsettos (2025)




Falsettos production photos
Photos by: Mark Garvin
​Director: Kevin Glaccum
Music Director: Gina Giachero
Asst. Music Director: Daniel Espie
Choreography: Billy Bustamante
Production Stage Manager: Thomas Shotkin
Costume Designer: Leigh Paradise
Lighting Designer: Jorge Arroyo
Props Coordinator: Kelly McLaughlan
Set Designer: James Kronzer
Sound Designer: Damian Figueras
RESPONSIBILITIES
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Create and update run sheets and entrance/exit sheets over a 2 week rehearsal period
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Run a backstage track during performances
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Maintain food props throughout the performance period
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Turn off the fire panel for performances and monitor haze distribution throughout the stage
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Train an apprentice to run my track in the event that I'm absent
THE GATEWAY PLAYHOUSE
Assistant Stage Manager | Phantom - Yeston and Kopit (2025)




​Director: Larry Raben
Music Director: Anthony Brindisi
Asst. Music Director: Dave Klodowski
Choreography: Louis Williams
Production Stage Manager: Phillip Randall
Asst. Stage Manager: Wilhelm Peters
Costume Coordinator: Janine Loesch
Lighting Designer: Christopher Landy
Props Coordinator: Brittany Loesch
Sound Designer: Ben Takitch
Wig, Hair, Makeup Designer: Dustin Lawson
Phantom production photos
Photos by: Jeff Bellante
RESPONSIBILITIES​
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Create and update run sheets and entrance/exit sheets over a 2 week rehearsal period
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Run a backstage track during performances
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Monitor weapons used onstage and receive them when not in use
PHILADELPHIA BALLET
Assistant Stage Manager | 2023-24 and 2024-25 seasons




​​2023-24 Season:
Carmen
The Nutcracker
Giselle,
Dance Masterpieces
The Dream w/Prodigal Son
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2024-25 Season:
Le Corsaire
60th Anniversary Gala
The Nutcracker,
Swan Lake
Bolero w/Dance Card
La Sylphide w/Etudes
Production photos from the 23-24 and 24-25 seasons
Photos by: Alexander Iziliaev
RESPONSIBILITIES​
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Monitor backstage areas and onstage transitions to ensure crew and dance members can safely navigate their tracks
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Create and update production paperwork for the crew to use on deck/rails moves and for the company to archive for the next time they produce these shows
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Perform cues backstage, such as the gunshot effects for Carmen and La Sylphide, or the "Mouse" trick for The Nutcracker
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BONUS: Lead Stage Manager for the School of Philadelphia Ballet's End of Year Performance in 2024 and 2025
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BONUS: Served as the Calling Stage Manager for select performances of The Nutcracker
GEORGE STREET PLAYHOUSE
Production Assistant | Tick, tick... Boom! (2024)




Director: David Saint
Musical Director: Andrew David Sotomayor
Choreography: Christopher Rice-Thompson
Production Stage Manager: Samantha Flint
Asst. Stage Manager: Caitlyn Ostrowski
Costume Designer: Lisa Zinni
Lighting Designer: Ryan O'Gara
Set Designer: Travis George
Sound Designer: Dan Moses Schreier
Tick, Tick... Boom! production photos
photos by: T. Charles Erickson
RESPONSIBILITIES
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​​​PA for the rehearsal, tech, and preview process
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Assisted stage management with taping out the rehearsal room, taking blocking notes, being on book, running lines, and props/costume/scenic tracking.
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Helped other departments (Director, Production Manager, shop staff, etc.) with duties such as taking food orders and pickups, local shopping errands, copying and printing, and other production assignments throughout the process.
DELAWARE SHAKESPEARE COMPANY
Stage Management Apprentice / ASM | Macbeth (2023)




Director: AZ Espinoza
Assistant Director: Caroline Heins
Choreography/Movement: Manny Chacon
Stage Manager: Abby Toll
Costume Designer: Anna Sorrentino
Lighting Designer: Calvin Anderson
Props Designer: J. Bean Schwab
Set Designer: Marie Laster
Sound Designer: Michael Hahn
Macbeth production photos by: Alessandra Nicole
RESPONSIBILITIES
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Taping out the indoor rehearsal room, flag marking the set for the outdoor space, being on book, and props tracking
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Ran the deck during shows, including organizing/setting props and helping with fake blood appliances
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Created a preshow with acting and directing apprentices, where I organized the script, managed rehearsals, and timed performances
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Quickly strike props to indoor storage and help breakdown crew tents during sudden bad weather (rain, thunder/lightning)
Broadway Theatre of Pitman
Stage Manager | Something Rotten! (2022)
Assistant Stage Manager | Beauty and the Beast (2022)

Photo by: Joe Grasso

Photo by: Joe Grasso

Photo by: Joe Grasso

Photo by: Joe Grasso
Beauty and the Beast
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Director: Joel Guerrero
Music Director: Jack Hill
Choreographer: Courtney Daniels
Stage Manager: Megan English
Costume Designer: Thom Sirkot
Lighting/Set Designer: Shawn McGovern
Props Charge: Armando Mendez
Sound Designer: Matthew Shoppas

Photo by: Joe Grasso

Photo by: Joe Grasso

Photo by: Joe Grasso

Photo by: Joe Grasso
Something Rotten!
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Director: Drew Molotsky
Music Director: Salvator Mazzocca
Choreographer: Heather Grasso
Costume Designer: Thom Sirkot
Lighting/Set Designer: Shawn McGovern
Props Charge: Armando Mendez
Sound Designer: Matthew Shoppas
SOMETHING ROTTEN! RESPONSIBILITIES​
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Managed a cast and crew of 30+
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Ran auditions and callbacks, where I collected casting information and potential conflicts, and helped the artistic team with casting decisions​
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Ran the rehearsal room: administered break times, ensured the space was fully stocked, sent daily rehearsal reports to the production team​
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Used Stage Write for blocking, line notes, and calling book​
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Created rehearsal schedules and tracked any cast conflicts​​
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Collaborated with the crew to organize props/sets backstage, and received their feedback regarding any changes that needed to be made to the deck tracker​
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Operated the light board while also calling cues during performances
ROWAN UNIVERSITY
Stage Manager




Equus production photos by Kevin Monko




How I Learned to Drive production photos by K Siget
Equus
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Director: Dane Eissler
Assistant Director: Elliot Colahan
Intimacy Director: Ontaria Kim Wilson
Assistant Stage Manager: Skyler Gonzalez
Technical Director: Thomas Fusco
Costume Designer: Jamie Grace Duff
Lighting Designer: Robert Thorpe
Set Design/Composer/Props: Dirk Durossette
Sound Designer: Dave Cimetta​
How I Learned to Drive
Director: Marisa Pelikan
Assistant Stage Manager: Alec Lacher
Lighting Designer: Tyler Davis
Makeup Artist: Marisa Pelikan
Master Carpenter: Andrew Haas
Props Master: Michael Majewski
Set Design/Scenic Charge: K Siget
Sound Designers: Marisela Grau, Mike Landolfi